CAA 2016 – Call for Papers

CAA 2016 in Washington DC

Art Historians Interested in Pedagogy and Technology is ramping up for the CAA 104th Annual Conference that will take place February 3–6, 2016, in Washington, DC. This year AHPT will be consider the impact of new technologies on the training of the next generation of art historians.

Call for Papers – A Signature Pedagogy for Art History in the Twenty-First Century

Session Co-chairs: Dr. Sarah Jarmer Scott, Associate Professor of Art History at Wagner College and Nathalie Hager, PhD Candidate, The University of British Columbia’s Okanagan campus

In recent years much discussion has been devoted to Art History 2.0. This session is interested in how the introduction and incorporation of new technologies in the classroom – the flipped classroom, online resources, among an array of tools emerging under the umbrella of digital art history – impacts the discipline’s pedagogy in the twenty-first century, specifically the training of the next generation of art historians at the undergraduate level. As educators are we preparing future art historians? As a result of the shift away from the traditional slide/lecture format are students better critical thinkers, researchers, and writers? Are they developing the skills and competencies the discipline requires for eventual expertise? Are we training art historians capable of contributing original thinking and framing the questions that can advance the discipline in the twenty-first century? Is the undergraduate degree even proper training grounds for the art historian, or is graduate school where art historians are ‘made’?

As the art history classroom moves beyond the (digitized) slide library, this session seeks to take stock of and reflect upon the theoretical approaches and pedagogical practices that deliberately – or not – train the next generation of art historians. We invite papers, classroom case studies, and reflections specific to the introductory survey course through to upper years, and to the undergraduate curricula generally. All papers should conceive of a hands-on technology and/or pedagogy component.

Deadline for submission of proposals to session co-chairs is August 5, 2015. Please forward a 200-word abstract, along with a CV to sarah.scott@wagner.edu and nathalie.hager@ubc.ca.

June 2015 Newsletter

AHPT thanks Marjorie Och of the University of Mary Washington for her service in growing Art Historians Interested in Pedagogy and Technology and welcomes Sarah Jarmer Scott of Wagner College as its new President. We are pleased to continue to work with Marjorie in her key role as AHPT representative to SECAC.

New to AHPT and assuming Sarah’s previous role of Secretary is Nathalie Hager from the University of British Columbia’s Okanagan campus. Stay tuned as over the summer months Nathalie will undertake a series of updates and upgrades to the existing website. Please send any ideas and requests to nathalie.hager@ubc.ca.

SECAC 2015 – CONFLUENCE

The AHPT-sponsored open session at the Southeast College Art Conference in Pittsburgh PA October 21–24, 2015 promises to be an engaging discussion. Session Chair Marjorie Och has organized five excellent presentations:

Laura Hollengreen, Georgia Institute of Technology, “Dwelling on the Past”

Solmaz Kive, University of Colorado, Denver, “Teaching the Histories of Architecture in the Digital Age”

Marie Gaspar-Hulvat, Kent State at Stark, “Smarthistory-style Videos for a Special Topics Course in Russian Art”

Ashley Busby, Susquehanna University, “Memes and YouTube and Wikis! Oh My!: Student Learning and Writing Mediated Through Technology”

Rhonda Reymond, West Virginia University, “Portals to Learning: Threshold Concepts in Art History Pedagogy“

For more information on these presentations please contact Marjorie Och at moch@umw.edu. Please visit the SECAC website for more information on the conference. The full conference program will be available July 1, 2015 and early bird registration opens August 1, 2015.

Report on CAA 2015, New York

AHPT hosted two sessions. The first paper explored the value in applying the Scientific Method to the creation of Knowledge in Art through re-imagining connoisseurship and provenance documentation in a traditional art curriculum. The second paper investigated trends in transforming the traditional first-year art history survey into a World Art History course by re-imagining the curriculum through re-design and on-line resources.

Please contact the presenters directly.

Scientific Method and Knowledge in Art
Dr. Jeffrey Taylor, Assistant Professor of Arts Management
Purchase College, State University of New York
jeff.taylor@purchase.edu

This practical teaching session addressed the intellectual processes of Scientific Method and the creation of Knowledge in Art. The presentation simulated the suggested curriculum, beginning with a lecture that explained the tenets of Scientific Method, and then described the foundations of connoisseurship as well the other essential underpinnings of knowledge in art: provenance documentation and scientific materials analysis.

Teaching Transculturally: Online Resources that Support a World Art History Approach
Nathalie N. Hager, Ph. D. Candidate
The University of British Columbia
nathalie.hager@ubc.ca

This presentation reported on and evaluated the strengths and limitations of current and emerging online resources that can be used in the first-year undergraduate survey classroom to teach art history transculturally. A number of options were explored, with focus on three in particular: MIT’s Visualizing Cultures; the Metropolitan Museum of Art’s Heilbrunn Timeline of Art History; and a new project under development at the UBC Okanagan campus entitled WHAM_World History of Art Mashup.

CAA’s 103rd Annual Conference Reflection
Josh Yavelberg, University of Maryland University College
joshyavelberg@gmail.com

The questions of outcomes, pedagogical trends, and the future of the survey are currently in question in light of these mounting concerns. The development of communities of practice such as Art History Teacher Resources, ArtHistorySurvey.com, Computers and the History of Art, and Art Historians Interested in Pedagogy and Technology further demonstrate the growing desire for the scholarship of teaching and learning in art history for consideration as an important and necessary issue within the discipline. Finally, the latest CAA annual meeting directly discussed such issues and the desires for developing and recognizing such scholarship moving forward (CAA Education Committee, 2015).

The art history survey course currently stands at a precarious point in the face of mounting pressures from trends and policies in higher education and culture. The survey may regain its importance in helping students develop skills in history, visual literacy, research, writing, and other cross disciplinary outcomes that are required, if not essential, as a twenty-first century learner. In progressing the pedagogy of the art history survey, the survey can meet the challenges of the 21st century (Partnership for 21st Century Skills, 2002) and further the scholarship of teaching and learning beyond its discipline. The discipline calls for a common set of objectives are set before the art historical community for a more focused direction for leadership of future research and pedagogical practice.

CAA conferences demonstrate a trend toward discussions of technology and pedagogical practice in the art history survey. A review of sessions describing topics related to art history pedagogy since 2003 demonstrates a marked increase in 2006 as described by Wheeler (2006), and the trend fluctuates between three and fifteen papers delivered annually at the conference. Within the association, committees such as Art Historians Interested in Pedagogy and Technology (Formerly the Art history Technology Consortium), the CAA Education Committee, CAA Student and Emerging Professionals Committee, CAA Museum Committee, Pedagogy Issues Forum, Advanced Placement (AP) Program in Art History, the Visual Resources Association, and the Community College Professors of Art and Art History have all chaired sessions with topics covering art history pedagogy since 2003 (College Art Association, 2015). The list of sessions also often describes poster sessions regarding the topic of the study of teaching and learning delivered by such recent organizations as Art History Teaching Resources (AHTR) and a rotation by the CAA Education Committee between topics related to art and art historical instruction.

Often the CAA only holds one or two panels discussing the topics of the study of teaching and learning. This constitutes a small proportion in relation to the entire conference, but the sessions are well attended as noted in the recent panel by the CAA Education Committee, “Learning to Teach and Teaching to Learn: Developing a Scholarship of Teaching and Learning for Art History” delivered at the 2015 conference in New York (College Art Association Education Committee, 2015). The topics questioned the direction of scholarship in the study of teaching and learning and made calls for a journal to legitimize research in the field and aid professors interested in such topics with their tenure process (D’Alleva, 2015). Beyond the CAA, several communities of practice (Wenger, 1998) are continuing to deliver content in the study of teaching and learning. These include Art History Teaching Resources (AHTR) and ArtHistorySurvey.com, which are both growing communities of practice that rely on contributions and review of material by a growing body of experts in the field. These trends describe a growing population of art historians interested in the study of teaching and learning that are growing more connected through the benefits of the digital age, thus organizing toward scholarship in the area; however, all of the research currently remains disjointed, without formal direction, or established support from the leading scholarly organization, CAA.

As I attended the latest CAA conference with an eye toward my dissertation research attempting to better understand the state of SoTL within the discipline, a discipline that is in great need of progress in this area to maintain relevant with the current generation of students and trends within higher education. The Education Committee’s session was highly attended as the panel included well known figures such as Beth Harris and Steven Zucker from Khan Academy. I regret that my own research was not further along as I was also approached to speak with this panel. The main conclusion was a need for a supported venue of scholarship related directly to SoTL in Art History. I quickly rose to the challenge and found several others with interest, even installing an Open Journal System on ArtHistorySurvey.com to begin a venue that may house such scholarship.

The concern over the direction of this scholarship became more evident to me as I attended the business meeting and panel for Art Historians Interested in Pedagogy and Technology (AHPT). My concern was due to the lack of involvement by attendees with this organization that was clearly dedicated to the pursuit of SoTL specifically related to Art History, whereas the Education Committee rotates their panel across artistic disciplines. Unfortunately, when inquiring at the Education Committee about who would be attending the AHPT meeting and panel, many claimed no knowledge or interest. The result was as I had witnessed in the past in attending the business meeting for AHPT, lacking.

AHPT has a focused mission and the advantage of an annual panel at the CAA conference. Their session described transcultural approaches and the use of scientific method to guide art historical practice. As in the past, I came away from the session with a strong energy to engage my own courses and to continue to believe that there is a future for meeting the educational needs of art history, as scholars are rethinking the discipline and its place within the academy. Sadly, this session was not as strongly attended as the earlier Education Committee session which may be due to lack of publicity, a poplar scholar, or even the timing of these sessions. Despite these issues, it would behoove CAA to place more direct support in the area of education and innovation if the discipline wishes to remain relevant within higher education.

I look forward to the future CAA conference where AHPT plans a session, “A Signature Pedagogy for Art History in the Twenty First Century.” This session will undoubtedly strike at many of the issues that I currently find within art historical education and the importance of the CAA to place more emphasis on such issues while the Education Committee will most likely continue their disciplinary rotation and perhaps abandon the momentum produced by their session this past year. With better publicity, AHPT may find a resurgence within CAA, and gain the support it needs to move forward with scholarly production.

Contact Josh Yavelberg to learn more about www.ArtHistorySurvey.com, a community of practice regarding art historical pedagogy.

References:

College Art Association Education Committee (2015). Learning to teach and teaching to learn: Developing a scholarship of teaching and learning for art history. Cempellin, L. & Sienkewicz, J. Chairs, Paper session presented at the meeting of the College Art Association, New York.

Partnership for 21st Century Skills. (2002). Learning for the 21st century. Tucson, AZ: Partnership for 21st Century Skills. Retrieved from http://www.p21.org/index.php?option=com_content&task=view&id=925&Itemid=185

Wenger, E. (1998). Communities of practice: learning, meaning, and identity. Cambridge, U.K. ; New York, N.Y: Cambridge University Press.

Wheeler, D. L. (2006). The arts & academe. Chronicle of Higher Education, 52(27), A10-A11.

College Art Association. (2015). College Art Association annual conference: History of annual meetings and conferences. New York: College Art Association. Retrieved from http://www.collegeart.org/conference/history

Report on SECAC 2014

Bringing Art Conservation and the Sciences into the Art History Classroom
This session aims to bring together art historians, art conservators, and scientists to discuss incorporating art conservation into the art history classroom. Classroom encounters with original works of art are, perhaps, rare and might require on-campus permanent art collections dedicated to students. How might we use these on-campus collections to inspire interest in the physical work of art and the processes of production? What tools and technologies are already available to us for exploring art conservation? How might we collaborate with colleagues in studio art and the sciences? Absent actual works of art, what are the best means for introducing what art historians and art conservators learn from one another? Are new tools and new technologies redefining connoisseurship?
One goal of this session is to integrate STEM into art history through an examination of new and old technologies that focus on the work of art. Contributions to this session might include case studies by faculty who have team-taught interdisciplinary courses, as well as faculty teaching solo who have identified ways to integrate these disciplines. Presentations on technology as well as studio and lab equipment for use in art history classes are especially welcome.
Session Chair: Marjorie Och, University Of Mary Washington.
Contact: moch@umw.edu

February 2014 Newsletter

Happy 2014 to all AHPT Members!

We are looking forward to a new year with new ideas and more active membership.

The CAA Annual Conference in Chicago is one week away! AHPT will be hosting an exciting session on Friday morning (2/14) from 7:30-9. Entitled Visual Histories in Virtual Spaces: Engaging Students Through Technology (chaired Judy Bullington, from Belmont University) this session will feature two mini sessions addressing new technologies and online learning environments that create an opportunity for a conceptual rethinking of the way that students learn the histories of art. First we will hear about three projects from Thomas Tucker, Dominic Marner, and Ronald Hawker highlighting their instructional work that involves the re-creation of historical sites with augmented reality. Second, Onur Öztürk and Amy Mooney will present on their work in teaching the Introduction to visual culture and how the management of collections of visual media are managed in a virtual environment. Following the presentations there will be an interactive panel discussion for audience participants.

Our business session will be held on Friday as well, at 12:30. During this session we will continue with follow-up discussion from the morning panels, and discussion business agenda items.

New items are being added to our website! Sarah will be contributing short posts entitled ‘Webmaster’s Blog.’ We are also asking members to contribute short posts regarding projects they are working on, or interesting projects they have learned about; please contact Sarah if you would like to be featured in our ‘Member’s Blog’. You should also see some new RSS feeds from websites we think might be helpful to our membership!

Membership Drive: While we have not been charging membership dues in the past year, AHPT does have annual expenses, including web hosting fees and CAA affiliate dues. In order to cover these we are asking members to donate a minimum $5.00 contribution. You can simply go the ‘AHPT Members’ dropdown and click on the Membership Options page to make a contribution via PayPal. Any and all contributions will be appreciated and will allow us to continue to have a presence at the annual meeting of the College Art Association. Thank you!

Please consider coming to the business meeting to discuss the Society’s future, share ideas, and/or offer your idea for the Members Blog! If you are interested, but will not make the session, feel free to contact Sarah or Marjorie via email. And, as always, contact us with any ideas you may have, and be sure to take a look at the website (http://ahpt.us/)!

Hope to see you in Chicago!

The AHPT-sponsored session at SECAC this year (October 31-November 2) was “Plays Well with Others: Art Historians Collaborations, Intersections, and Networks, “ co-chaired by Rhonda Reymond (West Virginia University) and Marjorie Och (University of Mary Washington). Elizabeth Baltes (Ph.D. candidate in Greek Art and Archaeology at Duke University) presented “Three Art Historians, a Computer Scientist, and a Computer Artist Walk into a Classroom.” As Elizabeth explained, “The Wired! Group at Duke University began with an experimental course in the spring of 2009: five instructors, nine students, and a series of questions. How do we teach technology in the humanities? Which technologies will be most helpful in answering the kinds of questions art historians want to ask? How do we utilize digital technologies in a meaningful way, both in the classroom, and in our own research? How do we build and sustain inter-departmental and inter-institutional collaboration? Four years and several courses later, the Wired! Group is still exploring and refining the answers to many of these questions, but collaboration remains at the core of what we do and how we do it. ” Catherine Dossin (assistant professor of art history, Purdue University) presented “The ARTL@S Project: Towards a Spatial (Digital) Art History.” Catherine describes ARTL@S as “an international, multidisciplinary project that promotes spatialization as a method of investigation and the anchor of an innovative, analytical approach. It relies on the spatial (digital) method to identify new sites of investigation, uncover unseen patterns of artistic circulation and distribution, open up different dialogues with artwork, dissolve the boundaries between art history and other disciplines, and rethink scholarship through a focus on learning by sharing. As such, it participates in the redefinition of the discipline of art history by embracing the theories and methods of the spatial, global, and digital turns that have challenged humanities over the past decades.” For more information, visit www.artl@s.ens.fr And Marjorie Och presented “Seeing students as a community of thinkers,” and shared with the attendees her work developing online exhibits in 400-level seminars. Her experience has been that “in presenting their work online as a collaborative project, students quickly discover that their audience is as open as the internet. A seminar of individuals becomes an exhibit team and a community of thinkers where no single project stands alone. “ In 2014, SECAC is meeting in Sarasota, Florida (October 8-11), and we will again have a sponsored session. Hope to see you there!

-Marjorie and Sarah

Report on CAA 2013, New York

AHPT’s ‘content’ session in New York City entitled ‘Rock the Pedagogical Boat: Open Mic + Tweet #caa2013rock,’ was very successful; many thanks to Dr. Janice Robertson (Pratt Institute), Dr. Gale Justin (Pratt Institute), and Janhavi Pakrashi (Pratt Institute)! Over 50 participants talking, tweeting, and listening in the room, were joined by participants tweeting from other parts of the conference! Everyone in the session had a chance to participate and received a ‘speaker’ ribbon. It was an engaging venue resulting in a treasure-trove of ideas about pedagogy and technology, two topics that were sometimes discussed in relation to each other and other times independently. Participants shared tools and methodologies around teaching, including innovative ways to generate class discussion, problem-based learning strategies for research papers and exhibit projects (role-playing!), interactive lecture formats, and non-traditional classroom learning environments (How can images outside the traditional realm of Art History serve as learning tools?). There was much discussion of student-centered learning strategies and ‘flipped’ classrooms – how do we get students to think?! How do we give them ownership? How do we structure the classroom with continual activity and focus that is goal-oriented? There was discussion about how which pedagogical and technological approaches are helpful for intro-level classes and upper-level courses. Complementary and critical analysis of technological tools included discussions about Powerpoint, Prezi, Omeka, and Voicethread, to name a few, and examples were offered to make these tools better and more interactive. Participants expressed their desires for more time to become comfortable using new tools, and questioned how important they were. Assessment has never been more important! A great many participants discussed concerns about the trajectory Higher Education is taking, as related to on-line learning, blended learning, and MOOCs. We were all interested in finding out more about THAT CAMP (more to come about THATCAMP and upcoming CAA conference in our next newsletter). New resources were brought to our attention, including the Journal of Interactive Technology and Pedagogy (http://jitp.commons.gc.cuny.edu/), online writing tools (http://redschoolhouse.org/drupal/welcome), and a possible new web resource arthistorysurvey.com.

Check out the new site Janice has put together with a plethora of information about the session! Tweet it! http://www.caa2013rock.info/

Report on CAA 2012

Report on CAA 2012, Los Angeles Art Historians Interested in Pedagogy and Technology, with a grant from Wagner College, sponsored a hands-on learning workshop in LA on Thursday, 2/23/12. Entitled ‘Constructive Use of Technology in the Art History Classroom: A Hands-on Learning Workshop,’it offered audience members more opportunity to learn Art History teaching and learning technologies.

Dr. Kelly Donahue-Wallace conducted her workshop on Teaching Art History Online. Dr. Janice Robertson conducted her workshop on Voicethread. Susan Healy conducted her workshop on Prezi. Stephanie L. Thornton-Grant conducted her workshop on OMEKA. Participants spent a solid hour working with one of the workshop facilitators to engage directly with the technology of their choice. Further information and details about each of these workshops and technologies can be found on our website at: http://ahpt.us/caa-conference-2012/. Each of these workshops was received with great enthusiasm; many participants left with ideas they want to implement at their home institutions. Through the post-session survey, other ideas were suggested for future sessions, which AHPT will be considering for the 2014 CAA Conference.

Report on SECAC 2012

Report on SECAC Southeastern College Art Conference 2012: “Reflections on Where We Are and Where We Are Going with Technology in the Art History Classroom,” chaired by Marjorie Och, University of Mary Washington.

AHPT sponsored a demonstration-workshop at the annual meeting of the Southeastern College Art Conference in Savannah in November 2011. SCAD hosted the event, and we were particularly grateful to Sandra J. Reed (professor of painting at SCAD) and her colleagues for offering AHPT a classroom at SCAD’s Jen Library that accommodated our session’s need for computer work-stations and internet accessibility. The session, “Reflections on Where We Are and Where We Are Going with Technology in the Art History Classroom,” introduced SECAC members to some new technologies and tools, offered opportunities to try these out with the presenters, and established AHPT in SECAC as a vital group for discussion, networking, and sharing pedagogical insights. The presenters were Fran Altvater (Hillyer College, University of Hartford) on Wikis, Podcasts, and Blogs; Oh, My! Technology and Pedagogy in Parallel in the Art History Classroom, Janice Robertson (Pratt Institute) with VoiceThread Class Projects Turn Text-Based Teaching Practices On Their Head, and Saul Zalesch (Louisiana Tech University) on Ephemerastudies.org and Bringing Original Art Ephemera into the Classroom.

Fran talked about ways we might use technology to address “real deficiencies our students have in fundamental academic skills, time management, and academic culture” so our students might achieve greater success in degree programs. She showed us how wikis can be used for group note-taking, and audio casting of her lectures can help her work with a variety of student learning styles. Janice, art history’s VoiceThread guru, walked us through the steps of developing a VoiceThread and demonstrated her students’ academic revelations in their study of sculptural details on the façade of the Cathedral of St. John the Divine in NYC. Janice also discussed how she uses VoiceThread to present works to students in a survey-level class that they probably don’t know, and then challenges them to figure out what they are looking at based on her lectures, their readings, and their pursuit of knowledge as they work to identify objects in small VoiceThread groups. Saul presented his website, Ephemerastudies.org, dedicated to his personal collection of American ephemera (destined for the Winterthur Museum) that he uses in his art history classes to teach, among other things, how “high style” is echoed in a variety of popular media, and how we can study art and history in such objects as late nineteenth- and early twentieth-century posters, advertisements, and music sheets; as an added treat he brought objects from his collection to show the group.

This was AHPT’s first session as an affiliate of SECAC, and we’re looking forward to a long and mutually rewarding relationship in the coming years. AHPT will sponsor a session at SECAC in 2012…so be looking for this! If any members wish to chair a session at SECAC or CAA in the future, please contact me at moch@umw.edu or Sarah Scott at sarah.scott@wagner.edu.

Report on CAA 2011

CAA 2011, New York
Business Meeting, Wednesday, February 9, 7:30-9am

Session: Technology and Collaboration in the Art History Classroom
Wednesday, February 9, 9:30-12pm
Chair: Marjorie Och, University of Mary Washington

Team-Based Wiki Building
Kathryn Bunn-Marcuse, University of Washington

Step Away from the Podium! Adjusting Our Teaching Style to Accommodate Interactive Classroom Learning
Susan Healy, Metropolitan Community College, Omaha

The Sound of Art: Audio-Casting and Student Engagement
Frances Altvater, University of Hartford Hillyer College

Look, Listen, Speak, Text, Draw: VoiceThread TM Changes the Balance of Power
Janice Lynn Robertson, Fashion Institute of Technology

Collaboration in the Virtual Classroom: A Few Strategies that Work
Eva J. Allen, independent art historian